This is part 1 of our yearly Staff Picks album series. Part 1 (the other 50 albums AKA Part 2 can be found here).
Ready for an exciting follow-up to our 2023 best album picks? And yes, just like last year we managed to sneak in a few EPs we found simply brilliant and couldn't live without.
To be frank, 2024 was a weird year. The overabundance of new music and singles feels scary at times and all that paired with the constant social media-driven shortage of our attention spans make a dangerous combination.
I'm not sure about the rest, but for me (Ivo), albums have become a safe haven - a refuge from the creeping choice paralysis I’ve been feeling. Immersing myself in an artist's conceptual work has never felt more rewarding. It offers a reprieve from the constant switching of music, moods, and energy.
Hope you dig this year's selection! All tracks are added to our Stereofox New Music Finds and Best Albums playlists. We'll be rolling out 20 waves, each featuring 5 albums, starting on November 20th and continuing through Christmas (in 2 parts).
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Best 100 Albums (and a few EPs) of 2024
Like last year, we want to address the question of how we came up with this list. It’s simply a collection of projects that left a mark on us over the past year. Some we adore more than others, but each one deserves your attention as the year winds down.
Get ready for a cocktail of soul, jazz, r&b, instrumental hip hop, rap, electronic, chill out music, and a few surprises here and there.
If you're on TikTok or Instagram, we're sharing all of those with some commentary and visuals, if that's your thing (or want to support us vs the algorithm).
Last, but not least - the albums are ordered randomly.
The best albums of 2024 (Part 1 list)
Wave 10 (Dec 5th)
- BALTHVS - Harvest
- Flamingosis - Better Will Come
- TSHA - Sad Girl
- tg.blk - ITS NOT THAT DEEP
- Misha - Radiant
Wave 9 (Dec 3rd)
- Amaria - Free Fallin’
- Vince Staples - Dark Times
- Glass Beams - Mahal
- Lossapardo - If I Were To Paint It
- Kelly Lee Owens - Dreamstate
Wave 8 (Dec 2nd)
- Samora Pinderhughes - Venus Smiles Not in the House of Tear
- Kiasmos - II
- Catpack - Catpack
- Doechii - Alligator Bites Never Heal
- PawPaw Rod - Doobie Mouth
Wave 7 (Dec 1st)
- Dabeull - Analog Love
- Vegyn - The Road To Hell Is Paved With Good Intentions
- Uniri - Infinite Reflections
- CHERISE - Butter
- Kasbo - The Learning of Urgency
Wave 6 (Nov 28th)
- NxWorries - Why Lawd?
- Rapsody - Please Don’t Cry
- WhoMadeWho - Kiss & Forget
- Soul Wun - Blue Light
- Greg Foat - The Rituals of Infinity
Wave 5 (Nov 26th)
- FloFilz - handful
- Henry Green - Familiarity
- St. Vincent - All Born Screaming
- Mustafa - Dunya
- GiddyGang - Destiny/Sacrifice
Wave 4 (Nov 25th)
- Common & Pete Rock - The Auditorium Vol. 1
- BADBADNOTGOOD - Mid Spiral
- Mk.gee - Two Star & the Dream Police
- Yellow House - Psalms of Yellow House
- edbl - 2010 Mixtape
Wave 3 (Nov 24th)
- Kaelin Ellis - You Are Here, Start.
- Channel Tres - Head Rush
- Pretty Girl - Get Back to Me EP
- EARTHGANG - PERFECT FANTASY
- GINGE - Playing Around
Wave 2 (Nov 21st)
- Lex Amor - Forward Ever
- Jamie xx - In Waves
- Brijean - Macro
- Blue Lab Beats - Blue Eclipse
- Allysha Joy - the making of silk
Wave 1 (Nov 20th)
- HNNY - Light Shines Through
- Ol' Burger Beats - 74: Out of Time
- GAWD - Cathedral City Supreme
- Ben Böhmer - Bloom
- IDK - BRAVADO + INTiMO
Wave 10 (Dec 5th)
BALTHVS - Harvest
Jul 19th / Mixto Records
Another great addition to the collection for anyone who loves to lose themselves in the world of dreamy psychedelia.
Visiting Colombia, and getting to know the people and the culture is one of my travel highlights, so being able to experience the world of funk psychedelia channeled through the origins and lenses of a local band is a sonic gift.
The trio comprised of Balthazar, Johanna, and Santiago AKA BALTHVS create a whirl of influences ranging from dream and surf pop, all the way to indie and soul, wrapped in a layer of Latin-infused psychedelic energy. Their 3rd album Harvest has a lot of beautiful vocal features that add a nice flavour to their jam-driven sound. The whole experience is an effortlessly blissful vibe.
In case you wonder why this record sounds the way it does, I think it is partially because it is a byproduct of its environment. The trio embarked on a month-long retreat to a tropical summer house in La Mesa, Colombia, where they dedicated themselves to recording. They elaborate, “More than a studio we wanted to be inspired by nature. So we brought our recording equipment there and started working.”
If you’re longing for a state of sunshine-inspired trance, Harvest is your vessel. Some of my highlights include “Anouk” and “Like Coconut Water”, they sound groovy and optimistic, which is a much-needed feel to battle the gray December skies.
Words by Ivo
Flamingosis - Better Will Come)
May 10th / Kahuna Style
Flamingosis’ latest record Better Will Come arrived with a simple, yet powerful message - “an album about being better for yourself, first and foremost.”
While faithful to his exploration when it comes to chasing the groove, Aaron's 6th studio album carries a slightly different scent. Something I quickly realized when glancing through the song titles and felt the first time I heard the ending of "Everything Comes and Goes".
Experiencing Better Will Come should be paired with knowing more about his personal story and what he has been through in recent years. Flamingosis posted a heartfelt message on Instagram a while ago and I think it adds to the puzzle that this record is. This is his reflection on a pivotal journey to self-improvement and growth after a series of ups and downs in recent years.
The beauty of this album is the example of how a seemingly positive genre and sound could carry a serious and important message and that's where Flamingosis' brilliance truly lies. Every time I listen to Better Will Come I get reminded that brighter days are always ahead. Even in the darkest moments, there’s always a glimmer of hope on the horizon.
Read the full review here.
Words by Ivo
TSHA - Sad Girl
Sep 27th / Ninja Tune
With her latest album Sad Girl, UK-based DJ and producer TSHA offers a distinctive dance experience that balances moments of euphoria with shades of sea-blue melancholy.
While Capricorn Sun is a sonic kaleidoscopic, her follow-up Sad Girl delivers a more cohesive experience, both thematically and sonically. On Sad Girl, we're introduced to a teenage TSHA filled with angst yet finding solace in the worlds of UK garage, r&b, house, and trip-hop. The first half of the project is bright, bold, and in your face, embodying the youthful energy she channels deep within her and unleashes during sets. Lyrically, the "drum & bass" gem "Can't Dance" is flowing with angst and frustration and this is ironically supported by energetic production that's brought to life by firey drums and immersive synth textures. This is the single that seems to shed light on the feelings around vulnerabilities as a teenager while simultaneously carrying a hopeful, youthful allure to it.
Words by Lu
tg.blk - ITS NOT THAT DEEP
July 18th / Little Worry
Mombasa-born tg.blk is the Mount Everest of my 2024 hip hop discoveries. Her 6-track EP ITS NOT THAT DEEP released in August is a release I would take on a deserted island.
Nyathigi’s history goes way back to the prime SoundCloud days when she uploaded music anonymously. The very first thought I had after hearing ITS NOT THAT DEEP for the first time was the fact that the whole thing sounded equally polished and rough around the edges. A balance that's so hard to achieve. The DIY vibe oozing from the record stems from the fact that tg.blk is an artist who can do it all by herself. I felt a thrill similar to the one you get when discovering an artist who you know will make it far in their career
Inspired by artists like J Dilla, Madlib, Earl Sweatshirt, and The Alchemist, her music bounces between boom bap, indie pop, r&b, lofi, and neo-soul, and often feels nostalgic. Her delivery carries a strong and confident message, wrapped around a layer of unapologetic carelessness. I guess ITS NOT THAT DEEP is a long way from her early anonymity days, when felt quite critical towards her music. Also, her moniker was inspired by artists like MF Doom and bsd.u who are characterized by that cloud of mystery and obscurity that adds a certain level of freedom when releasing your music into the world.
The ultimate vibe.
Words by Ivo
Misha - Radiant
April 5th / Independent
It’s impossible to pass on good r&b/soul, especially when coming from an artist we’ve been following for 6+ years (and who’s one of the first Stereofox Records releases).
Misha returns with his magnificent sophomore LP called Radiant. The vibrant 10-piece record has his signature pulsating synths & groovy production and feels like he has extended an invitation for the world to visit his orbiting space station.
Similarly to his debut album Nocturnal, Radiant has a stellar set of collaborators & friends. Among them are Amber Navran (of Moonchild), Nate Smith, Katori Walker, BeMyFiasco, Dornik, and more.
Misha says it perfectly, "Music has always been about taking me out of that dark place. Whether I’m creating or just listening, music brings joy and happiness. It makes me forget about all the stress and buzz. I lose track of time, all the surrounding noise gets muted. Ultimately, that’s what I want this album to do: send light to the world. I hope it makes you feel happy and loved. I want you to shine bright like the sun. You’re radiant!"
Words by Nasko
Wave 9 (Dec 3rd)
Amaria - Free Fallin’
Oct 11th / Early Records
Amaria’s long-awaited debut album Free Fallin’ is a sensual, dreamy experience that welcomes us to a feeling of weightlessness from start to finish.
Last year, Amaria was undoubtedly one of the most exciting up-and-coming names in the contemporary r&b scene. At this point, she has cemented her place as a future icon should she continue with her incredible work. On Free Fallin’, she delivers a modern reincarnation of neo-soul, blending warm, nostalgic tones with contemporary production that breathes new life into the genre while honoring its roots. Her vocals are passionate yet hushed and the allure of the album is just utterly dreamy. Love - self-love and romantic - stands at the core of them and she dives into this while offering food for thought for her listeners. The tracks "Begging", "Free Fallin'," and "Fly" stood out as personal favorites; however, the project is so cohesive that every song feels like an essential piece of a larger, beautifully woven story.
Words by Lu
Vince Staples - Dark Times
May 24th / UMG Records
It’s quite refreshing to hear a rap album from an artist of this size that isn’t heavily reliant on booming trap beats. Vince Staples’ 2024 album Dark Times delivers gritty production and raw lyricism, offering much more than the typical formula.
I've been into Vince ever since I heard Big Fish Theory, but admittedly, that is an album I enjoyed mainly for the production. I know I'm late to the party, but it wasn't until this year that I heard his verse on Earl Sweatshirt's "Hive," and it ignited my fascination with his lyricism. He showcases this and more on Dark Times, a murky project that reveals how his trauma from the past has inevitably caught up with his current lifestyle. One of my favorite moments however was the optimistic "Little Homies" which arrived towards the end of the album and feels like a resolution that we’ve come to after navigating through darker themes. This is the kind of album traditional hip hop heads would relish.
Words by Lu
Glass Beams - Mahal
Mar 22nd / Ninja Tune
Glass Beams' 2nd EP, Mahal, is what solidified the Australian band as a force to be reckoned with in the psychedelic world. The 5-track EP was also their debut release on Ninja Tune.
The social media presence of the enigmatic trio exploded at the start of 2024 and helped them gain millions of followers on Instagram alone. The Melbourne-based act creates a fusion of Western, Indian, and Arab musical influences - a sound that has struck a chord with audiences worldwide.
Glass Beams' rise is nothing short of meteoric and I’m hoping to see an LP in 2025 after their current world tour slows down.
Words by Ivo
Lossapardo - If I Were To Paint It
May 17th / Roche Musique
Lossapardo's If I Were To Paint It offers listeners one of 2024's most hauntingly beautiful r&b experiences, weaving melancholic themes with an almost angelic presentation.
Lossapardo is a French multi-disciplinary artist, who produces, composes, writes, and sings while creating his own artworks and video clips. If I Were To Paint It is a body of work that takes multiple listens to understand, but only takes one to intimately connect with. Throughout this experience, the production is noticeably skeletal, various genres are tastefully merged, and continuously the vocals seem to be the stand-out feature. They're jarring yet dreamy while he dives into introspective themes about emptiness, romance, being vulnerable, and a whole lot more. "Mr Nobody" is one of the brightest gems you'll find in his new body of work If I Were To Paint It. The vintage-like vocal sample hanging in the backdrop acquaints us with feelings of nostalgia, and this is heightened by his mesmerizing vocal delivery.
Words by Lu
Kelly Lee Owens - Dreamstate
Oct 18th / dh2
One of the most captivating figures in electronic music right now is UK-based Kelly Lee Owens, who made a powerful return this year with her latest album, Dreamstate.
This title perfectly encapsulates the experience we’re welcomed to on this project. It almost feels like we’re tossed into a whirlwind of atmospheric synths and glossy arps as Kelly showcases her extraordinary sound design abilities, ultimately creating an immersive world in the process. A constant theme throughout her production here is repetition and long-winded passages, and this offers a hypnotic experience that fluctuates between euphoric and introspective. What’s fascinating is that this could be considered the most commercially accessible album she’s made so far thanks to the alluring vocal performances, yet the bed in which these vocals are laid bare resembles her signature sound. This is done whilst pulling from alternative genres like acid house, techno, and ambient which I was quite impressed by. If she releases a remix project, I’m HOPING Pretty Girl will be featured as there are similarities between the two at this point.
Words by Lu
Wave 8 (Dec 2nd)
Samora Pinderhughes - Venus Smiles Not in the House of Tear
Oct 18th / Machel Records
Listening to Samora Pinderhughes speak feels like a soothing and enchanting experience. It weirdly reminded me of the hours I spent listening to Malcolm Gladwel's Revisionist History podcast. The Bay Area-born jazz pianist, Emmy Award-winning composer, filmmaker, and multidisciplinary artist has a deeper approach to things and excels in creating music that allows one to open up and be vulnerable. Guided by one question, "Am I being honest?", Samora creates unique harmonies and is not afraid to let listeners in his world.
I think it would be impossible to label and pigeonhole the record in one direction. While Samora inevitably uses elements inherent in jazz music, there are a lot of folk and psychedelic elements. And then there are tracks like "Inertia" and "Slow Time" that could easily exist in some niche electronic music sub-genre. Despite the diverse range of styles and influences throughout the record, it maintains a remarkable sense of cohesion. This unity is largely due to the prominent presence of his signature piano sound, which threads its way through every track, and the unmistakable timbre of his voice, which anchors the entire album with its familiar warmth and emotion.
For more, read my full album review of Venus Smiles Not in the House of Tear.
Words by Ivo
Kiasmos - II
July 5th / Erased Tapes
I had the incredible opportunity to experience this album live for the first time at Fusion Festival in June, and that Kiasmos performance easily stands out as one of the best live shows I’ve ever witnessed.
With their sophomore album II, the Icelandic duo of Olafur Arnalds and Janus Rasmussen have created a world in which listeners can immerse themselves. This is a journey that acquaints us with a kaleidoscope of emotions as it’s peaceful, cinematic, energetic, and fierce all throughout the 11 tracks. Rhythmically Kiasmos are predominantly inspired by UKG and house music, and I note this because their sound selection for drums is consistently vibrant even amidst the moodiest melodic textures. Kiasmos’ II serves as such a fascinating listening experience and I honestly can’t pinpoint an album that sounds like this in 2024.
Words by Lu
Catpack - Catpack
June 21st / Tru Thoughts
Some people just can’t stop being creative. This year, we were presented with a brand-new project by Moonchild’s vocalist Amber Navran, keyboardist, clarinet player & producer Jacob Mann, and singer, trumpet player & producer Phil Beaudreau (who worked with artists like Dr. Dre and Lalah Hathaway).
The trio called themselves Catpack, after the meow-like synth sounds they're using and the cat-themed lyrics. Connecting through friendship and their common love for soul, jazz & funk, as well as cats (obviously), they're aiming for warm, feel-good & playful music, with a touch of humour.
Their self-titled debut album consists of 10 songs that feel like a space ride through soul, funk, jazz, and pure music improvisation, all done in an organic & whimsical manner.
Words by Nasko
Doechii - Alligator Bites Never Heal
Aug 30th / Top Dawg Entertainment
I know this might stand as a hot take; but Doechii’s Alligators Bites Never Heal is certainly one of the hottest rap projects that arrived in 2024 - and I can’t believe I only heard it months after its arrival.
Over the last few years, the Florida native Doechii is a singer, rapper, and songwriter who has been exhibiting why she is fated for stardom in the near future. While she had numerous commercial moments that catapulted her status, Alligators Bites Never Heal is a mixtape that shies away from mass appeal to some degree. Catchy hooks and melodies are replaced with pure lyrical wit and passionate flows that are mighty enough to rock a boat. For the most part, this reminds us of hip hop's golden era, emblazoned with a modern touch, as Doechii’s production predominantly comes from boom bap. On every track her vocal delivery commands attention, and once she has it we’re immersed in her impressive storytelling ability and frequent braggadocio bars. Even though there isn’t a particular theme throughout this collection of tracks, she proves that she brings A LOT to the table than most of her contemporaries.
Words by Lu
PawPaw Rod - Doobie Mouth
Aug 9th / GODMODE
PawPaw Rod possesses a signature sound that travels through time and various sonic styles, and this is seamlessly exhibited on his gorgeous new EP Doobie Mouth.
The US-based artist is known for offering a vibe that is incredibly eclectic yet vintage and this shows through his style and his live performances. For the most, Doobie Mouth is quite optimistic and upbeat instrumentally while the lyrics dive into romance, growing older, relationships, and a whole lot more. The opening track "When I Get Home" is dripping with sweet nostalgia, appropriate for the title, with a hazy vocal delivery, influences from the '80s/Motown era, and a really interesting percussion groove you simply can't get enough of. One of the other stand-out gems is certainly “Shadow" as he veers towards funk as his primary source of sonic inspiration. This too reminds us of the funk and soul of yesteryears, and is adorned with a modern touch thanks to the bright synths and references in the lyrics.
Words by Lu
Wave 7 (Dec 1st)
Dabeull - Analog Love
Apr 12th / Roche Musique
Not much of a surprise here - you’ll enter a world of good vibes, groove & dance. As it’s always the case with Dabeull.
The Paris producer continues to ride the wave of that wonderful old-time, synth-driven side of funk for his debut solo album, released via his long-time partner & groove dealer, French label Roche Musique. On Analog Love, he’s joined by singers RevaDevito, HolyBrune, Jordan Lee & more - and you just know you’re in for a good ride.
Provided the name of the LP, the project was created with a 10-piece band & no computer, which only solidifies the trip back in time. Oh, and it was recorded on Michael Jackson’s console, too.
Words by Nasko
Vegyn - The Road To Hell Is Paved With Good Intentions
Apr 5th / PLZ Make It Ruins
I’ve always been on the fence about Vegyn’s music, largely because you never know what to expect from him. However, his stunning new album has completely thrown me off the fence, won me over, and officially made me a fan! The London-born artist is not only known for his eclectic style of production but also for challenging the borders of his comfort zone on a regular basis.
That’s exactly what we’re welcome to on The Road To Hell Is Paved With Good Intentions. He began composing tracks on piano and guitar—both of which he's still learning—while developing them across various locations, infusing the music with a distinct sense of impermanence. Even though the album runs through a plethora of different styles and genres, something that unifies the album is its eerie, moody charm alongside this unexplainable fuzz within the tracks. Without a doubt, one of the highlights that shine through the entire album is “Turn Me Inside” with Lea Sen. Her vocals are a feather in the wind and the instrumental offers a raw aesthetic, and it’s this compelling contrast that grabbed my attention. In fact, The Road To Hell Is Paved With Good Intentions frequently jumps from moments of soft sweetness to brazen experimentalism - continuously keeping listeners engaged from start to finish.
Words by Lu
Uniri - Infinite Reflections
Mar 29th / Astigmatic Records
Buying Uniri’s debut Infinite Reflections on vinyl was one of my proudest purchasing decisions of 2024.
Uniri are 4 "synth badbois", brought together by London-based drummer and producer Chiminyo, who we’ve been following closely since 2021.
The 10-track record stands out in the world of contemporary futuristic jazz, blending odd time signatures, synth cosmic energies, and unconventional dynamic groove offerings. With tracks like "Soar," "Celestial Waves," and "Oumuamua," prepare yourself for a journey that transcends typical musical boundaries. Each song takes you deeper into new sonic landscapes, delivering a rich blend of soundscapes that will expand your musical horizons and offer a fresh perspective on what music can be. These tracks aren't just songs - they're immersive experiences, guiding you through an intricate exploration of rhythm, emotion, and atmosphere. Get ready to embark on a ride like no other.
The 4-piece consists of Chiminyo on drums, Al MacSween (synths), Luke Wynter (bass), and Amane Suganami (AKA Amane) on synths as well. Not sure what’s ahead in 2025, but I surely hope we hear more from the newly formed supergroup.
Words by Ivo
CHERISE - Butter
Oct 10th / Cherise Adams-Burnett / Distributed by Kartel Music Group
One of UK’s ambassadors of neo-soul and r&b, CHERISE, has been on a roll since she started self-releasing in 2020. Just last year he dropped her debut album Calling - and in 2024, she’s back with a new project called Butter.
Although she calls it an EP, Butter has 8 full songs and an intro & interlude piecing together the full story - of change, home & Black British culture (reflected in the importance of cocoa/shea butter). Sonically, CHERISE remains soulful, warm & honest, with a soft groove & depth. The record happened fast & naturally, with production from CHERISE herself, Lewis Moody, Tal Janes, and Benjamin (Ben) Muralt - and guest vocals from Frida Touray (on “Hello”) & Meduulla (on “High Up”).
A really great touch is the creative decision of all artworks & visual materials to be drawn in a comic-book style (courtesy of Mathias Lemaitre Sgard), so Butter is a treat to both the ears & the eyes.
Words by Nasko
Kasbo - The Learning of Urgency
June 7th / Foreign Family Collective
The vastly different sonic eras of Kasbo can certainly be heard within his two previous albums Places We Don’t Know and The Making of Paracosm. This year, we’re welcome to yet another era of Kasbo as he has undergone a personal and artistic evolution – and this is evident on the latest album The Learning of Urgency.
Throughout this project, Kasbo primarily pulls from melodic house influences to craft an emotionally rich, yet dance-friendly experience. We’re presented with one of the brightest gems from Kasbo’s entire catalog in this album "Resenären". This is a sonic journey that feels like the soundtrack to an epic. Through a major shift in perspective on his work ethic and mental health, Kasbo took his time over four years to write the album, which is a statement against the “rise and grind” mentality of today that plagues modern society.
Words by Lu
Wave 6 (Nov 28th)
NxWorries - Why Lawd?
June 14th / Stones Throw Records
Anderson .Paak and Knxwledge (AKA NxWorries) consistently deliver some of the freshest blends of neo-soul, hip hop, and R&B, and their 2024 project Why Lawd? is no exception.
Over time, they’ve formed strong connections, and this project is packed with collaborations. Unlike their debut, this release features a star-studded lineup, including Dave Chappelle, Thundercat, H.E.R., Charlie Wilson, Rae Khalil, Snoop Dogg, and Earl Sweatshirt. From the production to the songwriting, their sound has also matured immensely with tracks like “Where I Go” and “From Here” serving as marvelous examples. The whole project beautifully captures the essence of soul music from yesteryears and has paired this with modern production and themes in such an elegant manner.
Why Lawd? sounds wiser and more mature and is certainly more expansive in terms of influences. Lyrically it feels like a reflection of the highs and lows of the past 8 years.
Words by Lu
Rapsody - Please Don’t Cry
May 17th / Roc Nation
This year, Rapsody has blessed us with a new album titled Please Don't Cry and it serves as a vulnerable reflection of love in all of its different forms.
The new album is a more self-aware version of Rapsody as the curtain is pulled back on who Marlanna Evans really is. Please Don't Cry is assembled by bits and pieces of neo-soul, gospel, jazz, and r&b, and this is all stacked on top of instrumentals that straddle golden era hip hop and modern influences. Rapsody has faced her own struggles, and throughout the album, she brings comfort and connection to listeners through her heartfelt lyrics and impressive technical skills. One of the crown jewels of this LP is the sultry and soulful "3:AM" featuring the one and only Erykah Badu and the synergy between Erykah and Rapsody is like watching the wind gently dance with a scorching fire. Rapsody is not only candid with her songwriting, but this is also paired with a poetic allure alongside a compassionate vocal delivery that reflects her tender, loving, care towards the person she writes about.
Words by Lu
WhoMadeWho - Kiss & Forget
Sep 13th / The Moment
The name WhoMadeWho echoes far and wide in not only the indie world but also within the contemporary electronic realm, making this one of the most-anticipated releases in the scene.
Their newest album, Kiss & Forget, is their first full release since 2022’s celebrated UUUU. This dynamic collection of 13 tracks ushers in a fresh era for the group, blending elements of indie electronic, pop, house, disco, and synthwave. The track list also includes a starstudded cast such as RY X, Adriatique, Kölsch, and surprising Blue Hawaii. Kiss & Forget explores themes of nostalgia, innocence, eternal youth, love, and the ephemeral nature of human connection. One of the tracks that beautifully encapsulates this is “Heartless” featuring Kölsch. The pair take us through an immersive sonic journey characterized by lush synths and vocals so powerful that they're sure to lift your soul. Towards the end, the track takes on a climax that feels cinematic and tragically romantic as if it's the end scene of Romeo and Juliet.
If you want to know more about the trio, read our full interview with WhoMadeWho.
Words by Lu
Soul Wun - Blue Light
Nov 8th / Gallery Recordings
Soul Wun’s Blue Light is one of the last records that made it to the top 100 2024 albums (that shaped our sound). This record has something truly special. It fills every gap in my electronic world that felt missing this musical year.
Honestly, adding this to the list was a no-brainer and one of the quickest decisions I’ve taken in a while.
Hailing from Australia, Soul Wun is the moniker of producer and DJ Blake Carthew. Moving away from a clubbier sound past, it feels that he’s now trying to move into a more story-telling direction where emotional and deeply moving soundscapes serve as a vessel for his message. What I instantly picked up while listening to the record, was the feeling of continuation throughout the whole journey. A feeling I get while listening to Moby’s classic Play.
Blue Light is heavily built on powerful percussive elements that stir emotion and create a palpable atmosphere. At the same time, Soul Wun isn’t afraid to open up and be vulnerable, despite making an instrumental album.
Read the full review of Blue Light here.
Words by Ivo
Greg Foat - The Rituals of Infinity
Nov 8th / Ameritz
Lately I’ve been diving deeper into Bandcamp, and one of the brightest gems I discovered while mining for music on the platform has been an eclectic body of work by Greg Foat titled The Rituals of Infinity.
I felt so lucky when I randomly found this album. The Rituals of Infinity is a jazz fusion listening experience that pulls from cosmic themes sonically and thematically. London-based keyboardist and composer Greg Foat is a musician who is completely of his time and somehow beyond it. The mood on his new album switches effortlessly from cinematic, haunting compositions, and electronic soundscapes all decorated on top of his compelling brand of jazz. Tracks like “The World of the Red Sun” are reminiscent of house legend Larry Heard albeit with a modern jazz touch, while “Sun Hat” exudes a smooth jazz allure - only to take on a more experimental shape towards the second half. This pattern is common throughout the album as it’s littered with surprises. The musicality is elegant and chic and I love that this is contrasted with daring progressions and unexpected genre adaptations.
Words by Lu
Wave 5 (Nov 26th)
FloFilz - handful
July 5th / casual low grind
One of the most productive producers out there, and certainly among the OGs of instrumental hip-hop - FloFilz, has been very consistent with his album releases and didn’t leave us hungry this year, too.
Among several collaborative singles & remixes, the German beatmaker dropped a gorgeous 10-piece album called handful. The project has mainly instrumentals & but also a vocal song & 2 bonus tracks on the vinyl record. As usual, on some of the tunes Florian is joined by some amazing acts like HNNY, KALLITECHNIS, Rob Araujo, Wun Two, Hubert Daviz, and Gabiga. Sound-wise, he keeps a steady direction with his signature warm & dusty production, sprinkled with soulful & jazzy samples and instruments.
This tendency of beatmakers to move away from the strictly instrumental lane & venture into r&b and hip-hop is awesome from a listener’s perspective. Moreover, it feels like a very natural next step to get themselves out of the “background music” scene - and a great sign of their evolution as producers, too.
We had the pleasure of recording a podcast and interview FloFilz, if you want to find out more about him.
Words by Nasko
Henry Green - Familiarity
Sep 13th / Akira
Over the years, Henry Green's notoriety as an electronic producer has steadily unfolded, and his new album Familiarity showcases this evolution in its most complete form yet.
Throughout Familiarity, the UK-based artist frequently steps outside his usual style, yet does so in a way that still honors the essence of what we've always appreciated about his music. We’re not only cohesively acquainted with genres like melodic house, trip hop, and ambient, but there are also instances where Henry omits his voice and allows his production prowess to do the talking. Lush soundscapes and organic embellishments are the fabrics that make up this body of work. One of the more heartwarming cuts from Familiarity is the neatly woven track “Isla” - a slow-moving track draped in the charm of atmospheric keys and guitars, beautifully complemented by his velvet-smooth vocal performance.
Words by Lu
St. Vincent - All Born Screaming
Apr 26th / Total Pleasure Records
St. Vincent’s All Born Screaming is a sensational seesaw that tosses you between solace and discomfort with its mildly experimental approach.
Admittedly, coming into this, my last experience with St. Vincent was the critically acclaimed MASSEDUCATION which at the time I wasn’t heavily into. This time, it only took halfway into All Born Screaming for me to start wondering if this is my favorite body of work I’ve heard this year. Pick any basic human emotion, and somewhere in this album, St. Vincent has led listeners into its deepest, most profound depths. Art pop, industrial rock, ambient, and electronica are weaved into the very fabric of the record to create the perfect canvas for her compelling songwriting. The opening track “Hell Is Near” alongside its follow-up “Reckless” marks a stellar example of this sentiment, sending listeners into shock and awe with her experimental arrangements and astonishing transitions into unexpected genres.
Words by Lu
Mustafa - Dunya
Sep 27th / JagJaguwar
With its compelling social commentary and comforting appeal, Mustafa’s Dunya is probably one of the most thought-provoking projects to come out in the world of folk this year.
Collaborating with notable artists like Daniel Caesar, Metro Boomin, 21 Savage, and Omar Apollo, Mustafa has stepped further into the spotlight, effortlessly expanding his sound beyond just folk. My introduction to the world of Mustafa came through the single “Name of God”, one of my favorite discoveries of 2023. The visuals subtly show his stance in support of Palestine while the lyrics dive into a time when everything around him seemed warm, but inside he was falling apart. In fact, themes of devotion and struggle are rife throughout Mustafa’s songwriting in Dunya, while his production is comprised of a sense of minimalism thanks to the predominant presence of an acoustic guitar. A track that also can’t neglect to mention is “SNL” since he addresses gun violence in such a witty manner.
Words by Lu
GiddyGang - Destiny/Sacrifice
Sep 6th / self-release
As a self-proclaimed GiddyGang / Vuyo fan #1, there was no way I’d be making a best of 2024 list without this Norwegian dream team. Considering how frequently the Oslo-based seven-piece and the rapper collaborate, one could only expect a seamlessly well-oiled machine. Their joint LP Destiny/Sacrifice is solid proof that they’ve reached a perfect symbiosis.
They share, “Every time we release music, we’re overwhelmed by a flood of emotions - happiness, anticipation, stress, love, melancholy, hope, etc. Destiny/Sacrifice captures all of these feelings.”
In just under 30 minutes, the band perfectly weaves together soul, jazz, and r&b, skillfully glued together by funky elements and horn-led melodies. The perfect stage for Vuyo’s impeccable flow. A well-tested formula that works.
Accompanied by frequent collaborators DJ Chali, Shiva, and Ivan Ave, the gang built on their previous and crafted some soul-touching gems including “What They Do”, “Won’t Stop” and “Bizarre” - 2 of my favourite songs on the record.
When it comes to the inspiration behind Destiny/Sacrifice, they share, “The album reflects how we, as humans and artists, perceive the world and our constant effort to make sense of it all. Our art is a mirror of who we are, shaped by every experience, encounter, crisis, and celebration we’ve lived through.”
A must-add to any jazz / hip hop fan’s collection in 2024.
Words by Ivo
Wave 4 (Nov 25th)
Common & Pete Rock - The Auditorium Vol. 1
July 12th / Loma Vista
The collaboration between Common and Pete Rock on The Auditorium Vol. 1 evokes a nostalgic journey reminiscent of the golden era of hip hop.
This marks one of the most iconic collaboration projects this year as both Common and Pete Rock are certified legends in their respective realms. From the production to the lyrics, The Auditorium Vol. 1 stands as a relaxed, genuine homage to the authenticity and core of hip-hop. With features from Bilal and Jennifer Hudson, I can imagine this seamlessly finding its way into the heart of traditional hip-hop heads who are also fascinated by the world of neo-soul. The hopeful opening track “Dreamin’” serves as a marvelous prelude to what we’re in for with its soulful chorus and uplifting verses that touch on history and empowerment.
BADBADNOTGOOD - Mid Spiral
Jul 30th / XL Records
Over the course of thematic EPs (Chaos, Order, and Growth), BADBADNOTGOOD flaunts its musical versatility and savviness by offering a melting pot of various styles on Mid Spiral.
BADBADNOTGOOD first hopped onto my radar through Daniel Caesar’s “Get You”. Since then, they’ve not only become a staple in the world of r&b and hip hop, but for over a decade, they’ve cemented their place as icons within the jazz scene. On Mid Spiral, the Toronto-based ensemble sounds more mature than ever as they venture into a myriad of territories ranging from jazz-funk and jazz-rock, to samba, and a bit of psychedelia too. This is all neatly wrapped up in a 70s allure, making the album waver between modern and vintage in such a tasteful manner.
Personally, the first disc stands out as my favorite with it’s tropical flair. “Eyes On Me” serves as a marvelous example thanks to its vibrant rhythm section and lush soundscapes towards the second half. Get ready to be taken to multiple worlds with this listening experience!
Words by Lu
Mk.gee - Two Star & the Dream Police
February 9th / R&R Digital
Though it's not a sound typically featured on Stereofox, leaving Mk.gee's Two Star & the Dream Police off any year-end album list would be an oversight.
This is arguably one of the most influential bodies of work to come out in the world of indie in recent times. It has inspired countless musicians with its signature guitar sound, and even Mk.gee’s look is becoming replicated gradually. Two Star & the Dream Police is a dark and moody sonic universe characterized by forward-thinking production and themes that touch on anxiety and longing.
Tracks like “Are You Looking Up”, “You Got It”, and “Dream Police” beautifully capture his tasteful yet unorthodox mixture between 80s pop, ambient, rock, and r&b. I feel like the track “cz” from 2020’s A Museum of Contradictions served as the perfect precursor to this current era of the art of Michael Gordon.
Words by Lu
Yellow House - Psalms of Yellow House
Jun 28th / Foreign Family Collective
Midway through the year, South African artist, vocalist, and producer Yellow House released Psalms of Yellow House, his most personal project to date, inviting fans to dive into its emotional depth.
After his groundbreaking fusion of indie and electronica with the iconic ODESZA for Flaws In Our Design, Yellow House is back on Foreign Family Collective and offers a garden-fresh brand of indie. Sonically, Psalms of Yellow House is fleshed out by incredibly lush atmospheres while complemented by a vintage appeal. And lyrically, the South African dives into a range of subjects that reflect family life, religion, romance, and the everyday struggles of the common man that are super relatable. “Milk & Honey”, one of the gems of the project showcases a sensual side of Yellow House. His dreamy vocals seamlessly float over the lush pads like a feather in the wind, while the rhythm section is characterized by this sexy drum bounce thanks to the r&b influence. This is definitely the kind of album where listeners are rewarded should they pay close attention to the songwriting.
Words by Lu
edbl - 2010 Mixtape
July 12th / edbl recordings via V2 Records Benelux
The UK scene is rooted in hip-hop and one of the most active producers/multi-instrumentalists in London, edbl, isn’t an exception. With his latest album 2010 Mixtape (named after the year when it all began for him), Ed wanted to pay tribute to the genre and the important role it played in his future development.
To edbl’s fans who are well familiar with his collaboration approach - unsurprisingly, the record has a set of amazing guest artists like Turt, IYAMAH, Quinn Oulton, JayaHadADream, Kofi Stone, Kazuki Isogai, KeepVibesNear & more. We're blessed with a majestic collection of 13 songs, rich in hip-hop beats & smooth flows, with a touch of soul, r&b, and jazz throughout. All that wrapped with Ed's signature guitar licks, warm synths & delightful groove.
Words by Nasko
Wave 3 (Nov 24th)
Kaelin Ellis - You Are Here, Start.
June 21st / Fool’s Gold Records
I discovered Kaelin Ellis back in 2017 while I was browsing SoundCloud for some underground flips I wanted to put together in a mix. That was the faithful moment I discovered his groovy take on N.E.R.D. & Rihanna's "Lemons" and instantly felt there was something special about this guy.
Besides being an insanely multifaceted producer, multi-instrumentalist, rapper, and singer, the Florida-born artist is one of the most creative drummers out there right now. A skill he honed while playing in church and which has earned him over 100k followers on social media. Plus, a well-deserved place among the top talents of our generation.
You Are Here, Start. is a sonic canvas that only someone as versatile and talented as Kaellin Elis can paint. Feature heavy, the album’s collaborators list expands to names like Iman Europe, Duckwrth, Saba, two-time Juno Award-winning rapper TOBi, virtuoso pianist Anomalie, and R&B/blues singer C.S. Armstrong. A dream team, led by Kaelin’s ability to blend unusual and cool.
After listening to the album a number of times, it is safe to say that I find it a more-than-worthy successor of his 2022 masterpiece THE FUNK WILL PREVAIL, which was nominated for an NAACP award for Best Jazz Instrumental Album and Vignette - a joint record with another mastermind, The Kount.
When it comes to You Are Here, Start., Kaellin holds no punches. Tracks like “Ain’t You Mad” (featuring Guapdad 400, Buddy, and Kenny Mason), and “Platinum” are instant power-ups and ready for your gym playlists. I always get a beautiful pump listening to those tracks. On the somewhat opposite side of the spectrum, you have the album’s crown jewels “Heart, “Celebration” and “Cycles // Masterpiece Pt. 2” which add a feel of warm lushness to the whole experience.
I didn’t think my respect and appreciation for Kaelin could go any higher, but You Are Here, Start has only strengthened these feelings. He’s already done so much, and yet I feel we’re yet to experience the best to come from him.
Channel Tres - Head Rush
Jun 28th / RCA Records
Over the years, Channel Tres has explored a variety of styles, and his album Head Rush perfectly encapsulates everything we’ve come to admire about his music.
Even though he has released multiple projects in the past, Head Rush honestly feels like it’s his debut full-length album by virtue of how expansive this experience is. He has transcended his signature realm of “Compton House” and pulls inspiration from disco, g-funk, hip-hop, and r&b. Aiding to make this happen is the starstudded list of features that includes names like Thundercat, Ty Dollar $ign, Teezo Touchdown, Toro Y Moi, and even Estelle. The Pharrell-reminiscent "Cactus Water" is among the brightest gems here, especially since it exhibits the charismatic swagger dripping from Channel's vocal delivery.
Words by Lu
Pretty Girl - Get Back to Me EP
Jun 5th / One House
Pretty Girl’s newest body of work, Get Back to Me, stands as arguably her most polished release to date, showcasing refined production and emotional depth.
I’ve been covering the releases of Pretty Girl on Stereofox since 2022, and in the space of 2 years the Australian producer has gone on to headline Boiler Room, and remix the likes of Romy, Catching Flies, and Jasper Tygner. Get Back to Me demonstrates her ability to balance romantic mood pieces with euphoric club moments through lively production and moody vocal performances. Her choice of synths makes the EP sound futuristic, immersing listeners in bright soundscapes with an emotive edge. One of the core moments of the project is “Inside”. It possesses a groove that's infectious by virtue of how well the bass sits next to the drums. In fact, the bouncy bass reminds us of 90s acid house and this nostalgia is accentuated by the acid lines decorated across the second half of the track. I’m beyond excited to hear where Pretty Girl takes her sound next year!
Words by Lu
EARTHGANG - PERFECT FANTASY
Oct 29th / Independant
EARTHGANG has established a reputation for being among the most decorated and dynamic duos in rap music at the moment, and their latest album PERFECT FANTASY encapsulates this sentiment so well.
The Atlanta natives don’t sound anything like their counterparts within their home city, and they never have. They stretch this a step further with the release of PERFECT FANTASY as we not only see surprise collaborations with Damon Albarn, T-Pain, and Little Dragon, but they also borrow from a wide range of genres and effectively flex their sonic pallet. The playful, spacey artwork translates into the material of the album especially since we’re acquainted with impeccable style over substance in most instances.
One of the most interesting cuts from this project is “DEEP BLUE” with Little Dragon. Their synergy culminates in a sensual, funk-inspired slow jam that's decorated with luminous synths for a psychedelic touch. I also can't neglect to mention how slick the rapping sounds over this smooth instrumental!
Words by Lu
GINGE - Playing Around
Sep 13th / Gillionaires
I’ve always claimed that The Netherlands have something really special going on when it comes to soul, jazz, and r&b music. Dutch singer GINGE shared her debut album Playing Around - 13 songs, released on Sep 13th. Despite all the fatal numbers hanging around, the record brings quite the opposite of spooky vibes.
GINGE, whom we’ve been following for a while, brings her bright & jolly side with her warm vocals & lively compositions. The title says it all - not taking yourself too seriously, having fun & just enjoying the ride. But the LP also explores themes like love & attachment, just in a lighter & whimsical way.
The creation of those 13 pieces was “a playground in itself” & GINGE takes us on a colorful journey through soul, r&b, alt-pop & jazz - all with a very light-hearted nature that just wants to make you hit repeat once those 38 mins are over.
Words by Nasko
Wave 2 (Nov 21st)
Lex Amor - Forward Ever
Oct 4th / Modern Oak
Whether it's Afrobeats, r&b, hip hop, jungle, or breakbeat, Lex Amor brings a forward-thinking approach to every genre she explores in her project Forward Ever.
North London-based rapper, DJ, and producer, Lex Amor has been at the forefront of the UK’s alternative scene with her soulful yet unorthodox sonic aesthetic. Forward Ever vindicates this sentiment especially since you’d be hard-pressed to pinpoint an album that sounds like this. Throughout this experience, her vocals are noticeably in the passenger seat as the production primarily drives the project. One of the standout tracks “SHINE IN” (co-produced by Lo-Wu) beautifully exhibits her distinctive brand of r&b with alien-like synth floating in the mix alongside distant guitars. Her delivery comes across as dejected and blase in various moments, but even this evokes a sense of emotion by virtue of the aura she presents.
Words by Lu
Jamie xx - In Waves
Sep 20th / Young
This year, producer extraordinaire Jamie XX came out with his (solo) sophomore album In Waves, an album decorated with optimism and blissful moments.
Over the last 20 years, Jamie has solidified himself as a forward-thinking beatmaker and producer in the electronic realm and beyond. He continues to showcase this on the new album, and something that grabbed my attention is his tasteful sampling throughout this gorgeous body of work. In Waves features frequent collaborators like Romy and Oliver, and a few surprising names too including Panda Bear, The Avalanches, and Kelsy Lu.
A bulk of the tracks here are intricately woven together dance tracks that pull from UK Garage, IDM, and house music in order to craft an experience that truly feels vibrant yet simultaneously soothing to the soul. "Treat Each Other Right" stands as a prime example, bringing chipmunk soul into a UK Garage context. These uplifting vocals are paired with colorful synth works and shuffling drums that are bound to get your hips moving and your feet tapping.
Words by Lu
Brijean - Macro
Jul 12th / Ghostly International
Brijean's album Macro captures their artistic evolution, standing out as their boldest and most adventurous project yet, all while remaining true to their signature style.
One of my favorite discoveries back in 2019 was the Oakland-based duo Brijean. They possessed this percussion-driven sound that was dreamy, sensual, yet dance-friendly. Then, Brijean’s distinct sound was one-of-a-kind, and even to this day, it still is. In Macro, they navigates a spectrum of moods ranging from melancholy and playfulness to sensuality and intensity. This makes this their most emotionally diverse project yet all the while exuding an air of danceability.
On tracks like “Workin’ On It” and “Counting Sheep” the vocals stand out for their aloof nature, thus complementing Brijean’s dreamy allure. While gems like “Breathe” and “Bang Bang Boom” display a daring side of the duo - it’s this rollercoaster of various styles that keeps the album so engaging.
Words by Lu
Blue Lab Beats - Blue Eclipse
Apr 19th / Blue Adventure, under Exclusive License to Decca Records France
It’s impossible to skip Blue Lab Beats as literally everything they get out is pure bliss. The London duo dropped their 4th studio album Blue Eclipse this spring. Unsurprisingly, the 12-song record is full of groove, hip-hop beats & contemporary jazz compositions, all blended with electronic elements. There are also a lot of soul and smooth bars, with a set of outstanding guest acts like Kojey Radical, Jay Prince, Amber Navran (of Moonchild), Ben Jones, Kyra, and many more.
If you’re in a hurry, make sure to check “Say Wow”, “Wait A While” & their signature head-bopping instrumental approach in “Cherry Blossom”. But I definitely recommend diving into the full 42 minutes of delight.
This was their last project under Universal/Decca. In September, they announced they were going independent (under their own Blue Adventure Records) with their new single “Origins” with Farah Audhali.
For more info, read our full interview with Blue Lab Beats.
Words by Nasko
Allysha Joy - the making of silk
Sep 13th / Legere Recordings
Allysha Joy's voice is the refreshing touch of a breeze on a hot summer day. 2024 saw the birth of her long-awaited new self-produced album the making of silk.
In our recent interview, Allysha shared something that struck a chord with me. When asked about the definition of success, she answered “Success for me is getting my values aligned in the music and movements and process within all that I do, which is just all about learning and listening and gaining greater stability to take better care of myself and the people around me. I want longevity and sustainability in music to foster healthy long artistic careers for myself and the people around me. Sustainability in every way is a success to me!”
One of my favorite tracks on the record is "David" - a slow-burner gem entangled with afro-cuban and jazz elements. The track is Allysha's way of standing her ground. "I want to acknowledge the joy and the pain that exists within this song, the complexity of recognizing and overcoming any situation of abuse or violence, and the incredible power of getting out, knowing that you deserve better and speaking it out loud", Allysha elaborates.
That being said, the making of silk is a journey that every music fan should embark on.
If you want to find out more, read our interview with Allysha Joy.
Words by Ivo
Wave 1 (Nov 20th)
HNNY - Light Shines Through
July 5th / Independent
One of my favorite tracks to come out of 2024 is found in the depths of this album. For his first album in almost a decade, HNNY has returned to the electronic soundscapes that inspired his earliest releases with his release Light Shines Through.
For the first few years of HNNY’s career, he stood out for his soulful, sample-based brand of house music that came with an air of elegance. He eventually shifted his attention to the calming world of lofi, releasing singles that bolstered his profile. And now, we’re acquainted with a new era of HNNY who merges his soulful stylings with electronica, UKG, and breakbeat. Throughout 10 tracks, the producer teeters between the edge of hope and melancholy with his minimalist production. It’s made for the quiet, brain-tingling moments of solitude at home and contains a consistent thread throughout, not just in the ambient sounds used, but also more conceptually with what the songs evoke and what they are about: the album lands at a particular pivotal moment of HNNY’s life after the birth of his two daughters which have given him a new perspective on life.
Words by Lu
Ol' Burger Beats - 74: Out of Time
Feb 16 / Coalmine Records
One of the most interesting conceptual albums of 2024. Get ready for Ol’ Burger Beats’ 17-track hip hop behemoth 74: Out of Time.
The versatile Norwegian producer took on a specific task - the goal of the record is to work only in BPM of 74 (hence the title). Backed by a galaxy of talented MCs, Ole created an album that offers a captivating and diverse journey through various sounds and eras. Following a consistent tempo, it also pays homage to the cultural landscape of the year 1974, drawing inspiration from its music, activism, artwork, and overall aesthetic. Ol' Burger Beats perfectly balances the legacy of the past and the ability to analyze and reflect on the present. After you start unpeeling the layers of 74: Out of Time, you'll quickly realize its high relevance to the moment. The Out of Time segment of the title directly speaks to contemporary issues. It underscores a pressing urgency in response to ongoing challenges like the COVID-19 pandemic, climate change, wars, and divisive political landscapes across the world.
When it comes to the 74 bpm decision, Ole comments, "It is quite an unusual tempo for hip-hop I think. It’s really relaxed but at the same time it can feel hard-hitting and modern if you match it with the right vocals and the right flow.”
After having the chance to absorb the album to its fullest several times, I can safely say - the flow is impeccable and it presents listeners with a rather soothing and inspiring experience.
For more info, read our full interview with Ol' Burger Beats.
Words by Ivo
GAWD - Cathedral City Supreme
Aug 28th / Independent
It was through TOKiMONSTA that I stumbled upon GAWD's music, leading me to discover one of the most intriguing r&b albums of the year.
GAWD is an L.A.-based duo who stands out for their sensual and intimate take on r&b, all while embracing a playful edge. The production of their sophomore album Cathedral City Supreme offers a combination of moments that are unorthodox and more familiar and conventional, ultimately creating a sense of dynamism throughout the project. It is their love letter to those navigating the shifting tides of change—a reminder to dance through life’s challenges with grace, resilience, and a heart full of gratitude.
The track "Ska-rew" off their is a gorgeous example of that sentiment. Velvety vocals glide over a gritty, punchy rhythm section, with a captivating bass line that keeps us nodding from start to finish. This is definitely the kind of track that'd have the crowd come alive for their performances, especially with such a compelling chorus.
Words by Lu
Ben Böhmer - Bloom
Sep 27th / Ninja Tune
The release of Ben Böhmer’s third official album Bloom is a confident reassertion of his intentions as an artist in a variety of different ways.
Over the last several years, a conversation about melodic house couldn't be completed without mentioning Ben. Despite the success, he was being pulled in a direction that wasn’t allowing him to be his true self. Time on the road took away from what mattered most to him: his family, creative freedom, and time to reflect. This inspired the creation of Bloom - an album that continues to showcase Ben’s emotive and cinematic brand of electronica in a manner that feels deeply immersive, weaving intricate soundscapes with a storytelling quality. Tracks like “Hiding” remind us of Moby’s early works thanks to their timeless charm and the uplifting spirit they bring, which perfectly match Lykke's distinctive voice.
For more info, read our full interview with Ben Böhmer.
Words by Lu
IDK - BRAVADO + INTiMO
Oct 13th / Independant
British American rapper IDK (also known as Jay IDK; a backronym for Ignorantly Delivering Knowledge) is hands down one of the most lyrically gifted rappers orbiting the underground right now, and this sentiment is flaunted throughout his new album BRAVADO + INTiMO.
From the production to the lyricism, there is quite a lot to unpack in this project. For the most part, IDK has pulled from jazz and soul music to create the sonic lure of BRAVADO + INTiMO - thus giving it a mature and elegant veneer. When it comes to subject matter, I loved how he has pulled the curtain back on matters of romance (see “SEE YOU AGAIN”), his current growing pains, and a whole lot more. What adds to the charm is the fact that throughout the project, we see IDK present himself as an incredible singer in many instances. The track that showcases this intimacy is the jazz-leaning "MiLES TRUMPET (i)". His soulful voice complements the cries of the brass especially in the chorus where the track blossoms to life. His verses are smooth and calm however when we dive into the lyricism, we're acquainted with a man who is open and vulnerable regarding insecurities around romance.
Words by Lu
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