"Delirium" gets things going with a slow start considering the pads and soothing keys, although when it becomes fleshed out it's actually quite reminiscent of the earlier works of Tinlicker.
Two things I thought AKZENTH executed incredibly well was the meticulous sound design and the rhythmic structure of the track, particularly with the percussive embellishments during the later stages of the track. I can't neglect to mention the over-arching dark mood that unravels as the track progresses, to the point where the climax sounds like the plot of a diabolic villain dramatically unveiled.
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